In old rural villages in South Africa, women
gathered to create a song about an abusive man and sung it openly
until he changed.
These songs were known as “women’s play things.”
They sing how rage felled the moonlit evening
where exactly it was
she first began screaming
that shook the pretty stars —
how his arms lifted precisely
to lower her body
and of her flung body. They sing also
of a long eerie silence which came
from their mud & wattle hut
the following day
and of the next day too, they sing
how it first looked when she appeared
barely
walking
a bruise
darker than skin
on her body still weeping still raised
they sing
with bushels balanced on top of their heads
a steady song of him
deep into African fields
where he is
slashing to bring down the husks
and continue even while fists of sun
light
beat
about
until a blushed shade of dusk brings him homeward
in shame.
[first appeared in Out of Line: Summer 2002]
Therése Halscheid
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